Be Photo-Ready for Your Next Dance Performance
The outfit and make-up you wear to a video shoot or a stage performance, believe it or not, is just as crucial as the location and lighting. Whether you’re filming an “About Me” video about your brand’s story or this is your most significant dance performance of the year, looking in a way that makes you feel comfortable and confident will elevate your video to the next level. And now with the help of the internet, you may easily look for inspiration regarding your outfit and cosmetic online conveniently.
Bring Out Your Best Facial Features in Front of the Camera
Makeup, when applied correctly, can correct common skin flaws and improve your overall appearance. Because photographs and videos are essentially frozen snapshots of one angle in time, they cannot display all of your best qualities. The advantage is that you can easily hide the aspects you don’t like. So take caution when applying make-up, especially if you know you’ll be posing for the camera. And take your time to look for a quality dance cosmetic online range.
First Step: Refresh Your Face
A good night of sleep and a hydrated organism is your best bet before a day of video shooting. And once you wake up, rub your face with ice and apply a quality toner. After it has dried, apply moisturizer and a drop of skin radiance facial oil.
Continue With the Primer
Massage the primer into your skin, paying special attention to the under-eye area and the eyelids. Allow for two minutes to allow the product to seep into your skin. A primer softens and improves your complexion, making fine wrinkles and pores less visible.
High Definition Foundation
Along with shopping for cosmetics online, before a performance, you should consider an HD foundation that is fine-textured, lightweight, supple and easy to apply. They are available in a variety of skin shades and can conceal practically any flaw. But make sure you use as little product as possible. Apply a small amount to the centre of your face with your fingertips, then blend outward and push into the skin with clean hands.
Concealer Is Here for the Rescue
Grab a concealer if you still have spots after applying primer and foundation. When it comes to concealers, remember that less is more! Concealers cover pores and reflect both natural and artificial light.
Bring Liveliness to Your Face
A blush is the one thing in your beauty products and cosmetics that can instantly brighten up your face. When applied appropriately, it offers you a healthy glow. Use the incredible combo of blush, contour, and highlighter. Apply contour to the hollows of your cheeks first, followed by the blush on the apples and highlighter on the cheekbones.
Draw Attention to Your Eyes
Because the camera and flash make your eyes appear smaller, make sure your whole emphasis is on your eyes. Matte eye shadows in neutral colours like as beige, mild brown, soft pink, and peach look much better on camera. You can add a little shine, but only a little.
Don’t Forget the Lips
If you don’t use lipstick, your mouth will blend in with the rest of your face, which is something you don’t want. The key is in the word ‘oreo-cookie.’ To begin, line your lips with a lip liner that is the same colour as or slightly lighter than your lipstick. This will help to define your lips. Choose a lip colour that will complement but not overpower.
Pick an Outfit That Flatters the Lines and the Proportions of Your Body
The most flattering clothes always enhance the body’s natural shape. One method is to draw attention to the slimmest part of the body: the waistline. Proportions are also crucial. Consider the fashion industry’s golden rule! According to the Rule of Thirds, it is more flattering to split the body into thirds rather than halves. A 1/3 to 2/3 ratio is more visually attractive to the eye than a 1/2 to 1/2 ratio.
A simple costume with clean lines is always more flattering than a cluttered one. Even the fittest dancers might have cluttered and confusing costumes if they wear too many patterns and colours! Here are some pointers for creating coordinated dance costumes:
Use basic, clear lines and silhouettes. Vertical and continuous lines will lengthen the body, whilst horizontal lines will cut it up. The less you disassemble the body, the better! This is why nude jazz shoes usually look nicer on a naked leg than black shoes. Colour combinations should be limited to three or fewer shades. Trying to incorporate four or more colours becomes overwhelming! To make it more aesthetically attractive, simplify the costume and focus on the performance.
Let’s Talk About Colours
Colours like dark red, teal, sapphire blue, emerald green, and coral stand out on the screen and complement all skin tones. Colours with high contrast, such as all-black and all-white, are quite intense on the camera and can cause technical issues. A brilliant white shirt, for example, looks beautiful in person but does not translate well on camera.
On the other side, black absorbs all surrounding colour, unpleasantly emphasizing just your head. It can also make you look worn out by highlighting your dark circles. So, unless you intend to get your makeup done professionally, avoid wearing black for an up-close video shoot. A little white or black coming out from under a solid jacket or tie is acceptable, but your best bet is to go with something neutral, like grey or light blue.
Deeply saturated colours like red, hot pink and orange are the camera’s main competitors. They flow on camera and overshadow the rest of the scene, giving your face a flushed appearance. Pastel colours, such as pale blue and light green, are always flattering on the screen, and the camera loves them. Very pale pastels, however, appear white and can be too visually overwhelming.
Wear tones that contrast with your skin tone. Wearing pure white clothing might make your body and face disappear if you have a pale complexion. It can also create an optical illusion, leading your viewers to believe you’re naked. Instead, choose a colour that complements your skin tone, such as grey, light blue, lilac, or cobalt.
